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040			_aNISER LIBRARY _cNISER LIBRARY
041	1		_aEnglish
082	0	0	_a78.01 _bATT-N
100	1		_aAttali, Jacques.
245	1	0	_aNoise : _bthe political economy of music
260			_aMinneapolis : _bUniversity of Minnesota Press, _c1985.
300			_axiv, 179 p. ; _c24 cm.
440		0	_aTheory and history of literature ; _nVol.16
500			_aTranslation of: Bruits.
500			_aIncludes index.
504			_aBibliography: p. 161-167.
505			_aListening -- Sacrificing -- Representing -- Repeating -- Composing
520			_a“Noise is a model of cultural historiography. . . . In its general theoretical argument on the relations of culture to economy, but also in its specialized concentration, Noise has much that is of importance to critical theory today.” SubStance“For Attali, music is not simply a reflection of culture, but a harbinger of change, an anticipatory abstraction of the shape of things to come. The book’s title refers specifically to the reception of musics that sonically rival normative social orders. Noise is Attali’s metaphor for a broad, historical vanguardism, for the radical soundscapes of the western continuum that express structurally the course of social development.” EthnomusicologyJacques Attali is the author of numerous books, including Millennium: Winners and Losers in the Coming World Order and Labyrinth in Culture and Society.
650		0	_aMusic _xSocial aspects.
650		0	_aMusic _xEconomic aspects.
650		0	_aMusic and Society
700	1		_aMassumi, Brian _eTranslator
856	4	1	_3Reviews _uhttps://www.goodreads.com/book/show/160198.Noise#CommunityReviews
942			_cBK _2udc
999			_c34817 _d34817