000			02810nam a2200277 4500
003			OSt
005			20230807162646.0
008			221205b |||||||| |||| 00| 0 hin d
020			_a9783319865799
040			_aNISER LIBRARY _cNISER LIBRARY
041			_aEnglish
082			_a81'27:78 _bROS-S
245			_aSociolinguistics of hip-hop as critical conscience: _bdissatisfaction and dissent
260			_aSwitzerland: _bPalgrave Macmillan, _c2018.
300			_axiii, 271p. _bPbk.
504			_aContents: Chapter 1. Introduction: Hip-hop as Critical Conscience: Framing Dissatisfaction and Dissent Chapter 2. The Linguistic and Lyrical Development of 2Pac in Relation to Regional Hip-hop Identity and Conflict Chapter 3. Dimensions of Dissatisfaction and Dissent in Contemporary German Rap: Social Marginalization, Politics, and Identity Formation Chapter 4. “77% of Aussies Are Racist”: Intersections of Politics and Hip-hop in Australia Chapter 5. Where is the Love? White Nationalist Discourse on Hip-hop Chapter 6. “Who’s Afraid of the Dark?”: The Ironic Self-Stereotype of the Ethnic Other in Finnish Rap Music Chapter 7. How the Financial Crisis Changed Hip-hop Chapter 8. Dissatisfaction and Dissent in the Transmodal Performances of Hip-hop Artists in Mongolia Chapter 9. Counter-Hegemonic Linguistic Ideologies and Practices in Brazilian Indigenous Rap Chapter 10. The Death of Dissent and the Decline of Dissin’: A Diachronic Study of Race, Gender, and Genre in Mainstream American Rap
520			_aThis book adopts a sociolinguistic perspective to trace the origins and enduring significance of hip-hop as a global tool of resistance to oppression. The contributors, who represent a range of international perspectives, analyse how hip-hop is employed to express dissatisfaction and dissent relating to such issues as immigration, racism, stereotypes and post-colonialism. Utilising a range of methodological approaches, they shed light on diverse hip-hop cultures and practices around the world, highlighting issues of relevance in the different countries from which their research originates. Together, the authors expand on current global understandings of hip-hop, language and culture, and underline its immense power as a form of popular culture through which the disenfranchised and oppressed can gain and maintain a voice. This thought-provoking edited collection is a must-read for scholars and students of linguistics, race studies and political activism, and for anyone with an interest in hip-hop.
650			_aSOCIOLINGUISTICS
650			_aHIP HOP
650			_aYOUTH--SOCIAL LIFE AND CUSTOMS
650			_aDISCOURSE ANALYSIS
650			_aLINGUISTICS
700			_aRoss, Andrew S. (ed.)
700			_aRivers, Damian J. (ed.)
942			_2udc _cBK
999			_c33678 _d33678