Noise : the political economy of music

By: Attali, JacquesContributor(s): Massumi, Brian [Translator]Material type: Text

TextLanguage: English Series: Theory and history of literature. Vol.16 Publication details: Minneapolis : University of Minnesota Press, 1985. Description: xiv, 179 p. ; 24 cmISBN: 9780816612871Subject(s): Music -- Social aspects | Music -- Economic aspects | Music and SocietyDDC classification: 78.01 Online resources: Reviews

Contents:

Listening -- Sacrificing -- Representing -- Repeating -- Composing

Summary: “Noise is a model of cultural historiography. . . . In its general theoretical argument on the relations of culture to economy, but also in its specialized concentration, Noise has much that is of importance to critical theory today.” SubStance“For Attali, music is not simply a reflection of culture, but a harbinger of change, an anticipatory abstraction of the shape of things to come. The book’s title refers specifically to the reception of musics that sonically rival normative social orders. Noise is Attali’s metaphor for a broad, historical vanguardism, for the radical soundscapes of the western continuum that express structurally the course of social development.” EthnomusicologyJacques Attali is the author of numerous books, including Millennium: Winners and Losers in the Coming World Order and Labyrinth in Culture and Society.

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Holdings
Item type	Current library	Call number	Status	Date due	Barcode
Book	NISER LIBRARY	78.01 ATT-N (Browse shelf(Opens below))	Checked out to Avinash Kumar Mishra (2411200)	11/11/2024	25104

Translation of: Bruits.

Includes index.

Bibliography: p. 161-167.

Listening -- Sacrificing -- Representing -- Repeating -- Composing

“Noise is a model of cultural historiography. . . . In its general theoretical argument on the relations of culture to economy, but also in its specialized concentration, Noise has much that is of importance to critical theory today.” SubStance“For Attali, music is not simply a reflection of culture, but a harbinger of change, an anticipatory abstraction of the shape of things to come. The book’s title refers specifically to the reception of musics that sonically rival normative social orders. Noise is Attali’s metaphor for a broad, historical vanguardism, for the radical soundscapes of the western continuum that express structurally the course of social development.” EthnomusicologyJacques Attali is the author of numerous books, including Millennium: Winners and Losers in the Coming World Order and Labyrinth in Culture and Society.

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